Thursday, September 01, 2005

Mythic Violence

I was handed a magazine in class and it was literature from the dissent, it had a thought provoking article I copied and pasted below. It was an article posted by Walter Wink and was thoroughly interesting; I also found through Google one of my favorite internet news sites
  • Alternet
  • had something else to say about the editors of Adbusters. So I figured why don't you read it as well and see what you think? I posted links from all the other sources so you could see the original paper.


    Below this line is the article from Adbusters:

    The belief that violence is a reasonable and often necessary route to achieving our aims goes unquestioned in most societies. Violence is thought .to be the nature of things. It's what works. It seems inevitable - the last and, often, the first resort in conflicts. This Myth of Redemptive Violence is the real myth of the modern world. It, and not Judaism or Christianity or Islam, is the dominant religion in our society today.

    When my children were small, I became fascinated with the mythic structure of cartoons. The same pattern was repeated endlessly: an indestructible hero is doggedly opposed to an irreformable and equally indestructible villain. Nothing can kill the hero, though for the first three quarters of the comic strip or TV show he (rarely she) suffers grievously and appears hopelessly doomed, until miraculously, the hero breaks free, vanquishes the villain, and restores order until the next episode.

    Something about this mythic structure rang familiar. Suddenly I remembered: this cartoon pattern mirrored one of the oldest, continually enacted myths in the world: the Babylonian creation story (the Enuma Elish) from around 1250 BCE.

    In the beginning, Apsu, the father god, and Tiamat, the mother god, give birth to the gods. But the frolicking of the younger gods makes so much noise that the elder gods resolve to kill them so they can sleep. The younger gods uncover the plot before the elder gods put it into action, and kill Apsu. His wife Tiamat, the Dragon of Chaos, pledges revenge. Terrified by Tiamat, the rebel gods turn for salvation. to their youngest member, Marduk. He negotiates a steep price: if he succeeds, he must be given chief and undisputed power in the assembly of the gods. Having extorted this promise, he catches Tiamat in a net, drives an evil wind down her throat, 'shoots an arrow that bursts her distended belly and pierces her heart. He then splits her skull with a club and scatters her blood in out-of-the-way places. He stretches out her corpse full-length, and from it creates the cosmos.

    In this myth, creation is an act of violence. Marduk murders and dismembers Tiamat, and from her cadaver creates the world. As the French philosopher Paul Ricoeur observes in The Symbolism of Evil, order is established by means of disorder. Chaos (symbolised by Tiamat) is prior to order (represented by Marduk, high god of Babylon). Evil precedes good. The gods themselves are violent. Violence is simply a primordial fact.

    The simplicity of this story commended it widely, and its basic mythic structure spread as far as Syria, Phoenicia, Egypt, Greece, Rome, Germany, Ireland, India and China. Typically, a male war god residing in the sky fights a decisive battle with a female divine being, usually depicted as a monster or dragon, residing in the sea or abyss (the feminine element). Having vanquished the original enemy by war and murder, the victor fashions a cosmos from the monster's corpse. Cosmic order requires the violent suppression of the feminine, and is mirrored in the social order by the subjection of women to men and people to ruler.

    After the world has been created, the story continues, the gods imprisoned by Marduk for siding with Tiamat complain of the poor meal service. Marduk and his father, Ea, therefore execute one of the captive gods, from whose blood Ea creates human beings to be servants to the gods.

    The implications are clear: our very origin is violence. Killing is in our genes. Humanity is not the originator of evil, but merely finds evil already present and perpetuates it. Human beings are thus naturally incapable of peaceful coexistence. Order must continually be imposed upon us from on high: men over women, masters over slaves, priests over laity, aristocrats over peasants, rulers over people. Unquestioning obedience is the highest virtue, and order the highest religious value.

    In short, the Myth of Redemptive Violence is the ideology of conquest. Ours is neither a perfect nor perfectible world, but a theater of perpetual conflict in which the prize goes to the strong. Peace through war, security through strength: these are the core convictions that arise from this ancient historical religion. The Babylonian myth is as universally present today as at any time in its long and bloody history. It is the dominant myth in contemporary America.

    Walter Wink is professor of Biblical Interpretation at Auburn Theological Seminary in New York City. This article was first published by Bible Society's spring I999 issue of The Bible in TransMission

  • Adbuster's busted on Alternet


  • Adbuster's website


  • Walter Winks original Article


  • After reading this what do you think?

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